Craft Glossary · term
POV types
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Plain English: Whose consciousness mediates the story, and at what distance.
- First person ("I"): maximum intimacy and voice; limited to one knower; risks "I"-fatigue.
- Second person ("you"): rare, hypnotic, hard to sustain.
- Third limited / close third: "she", anchored to one head per scene; the modern default —
intimacy of first with the flexibility of third (pairs with free indirect style).
- Third omniscient: a narrator who knows all heads and facts; powerful for scope, easy to
turn cold and distant; out of fashion but not wrong.
- Distance runs on a slider from deep (inside the skull, the character's diction) to
distant (a camera overhead). You can glide along it deliberately within a scene.
Rule: Choose a POV and distance that serve the book's intimacy needs, and hold it consistently within a scene. RELIC is sole close-third on Priya — the co-stars never get the camera.
Fail: See Head-hopping below.
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